Sept 9, 2026
Starting to block things in. Some paintings I begin by working the entire surface of the canvas, or at least large sections of it. Usually, that's for more 'imaginative' work.
Others, I proceed more or less left to right, favouring the top over the bottom. This is definitely one of the latter.
Linear technique for a straightforward subject, I suppose.
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I think I've still got a couple paintings of Paris left in me, so here I am trying to draw out the interior of the Petit Palais. Gosh this thing's complicated: lots of double and triple curves, all receding with perspective. Ack.
There's a studio shot, too, with some of the pieces I'm prepping with gesso. One for one more Paris view, and two others, one circular, one rectangular, for two portraits.










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